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Pudhupettai

Pudhupettai
Banner:Lakshmi Movie Makers 
Cast:Dhanush, Sonia Agarwal, Sneha
Direction:Selvaraghavan
Production:K. Muralidharan, V. Swaminathan, G. Venugopal
Music:Yuvan Shankar Raja
Website:http://www.pudhupettai.com/
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Pudhupettai Music Review
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Pudhupettai - Brilliant attempt
IndiaGlitz  [Wednesday, January 25, 2006]

When Director Selvaraghavan and music-composer Yuvanshankar Raja team up, they are known to deliver the best. Their Kadhal Kondein and 7G Rainbow Colony are a pointer to it. Now they join hands again for Pudhupettai, which is said to be about the lives of underworld dons in a city like Chennai.

Interestingly,Yuvanshankar with Chapraya Symphony Orchestra composed the songs in Bangkok there.

He has come up with some brilliant compositions. The album consists of songs and instrumentals, each carrying a header specifying different moods of the film.

Songs like the one rendered by Kamal Haasan and other by Dhanush along with chorus are no doubt going to be straight away hits. The instrumentals are also soul-stirring and at time very emotional.

Yuvanshankar has certainly joined the big league with his compositions in Puthupettai.

An honest and a sincere attempt

Pudhupettai Main Theme: Survival of the fittest

This being the main theme number of the movie, it has to be attractive as well as catchy. Keeping this in mind, Yuvan has come up with this excellent instrumental exploration  (symphony). The violin ensemble is mellifluous as well as gritty. It evolves the theme and firmly underscores that Yuvan is his father’s son.

Peek Into Assassin's Life: Neruppu Vaayinil  (Kamal Hassan)

Kamal Haasan is one artiste who always strives for excellence  - be it on the screen or behind. A good singer, Kamal Haasan has lent his voice for the song, which suits the mood and theme of the number. A peppy and a brisk song, according to director Selvaraghavan, is about the life of an assassin. A touch of Brazilian samba by Yuvan with Kamal Haasan's voice flowing sweet makes the song stick to our hearts.

Our Story: Enga Yeriya  (Dhanush, Rap Premji and Yuvan Shankar Raja)

What can a local rowdy or a dada singh? A rustic, straight from the heart number? It is exactly what Yuvan has tried to come up. The song has been penned as if a local goon is describing his prowess in his locality. Begins with traditional tharai and thapattai, but goes on to get typical Yuvan's touch with peppy western stuff overtaking it.

Though Dhanush's voice is far from covincing, the lyrics of Na Muthukumar covers it up. It brings the life in a slum before our eyes. Yuvan and Premji render rap in between.

Selling Dope: The Beginning (Instrumental)

An excellent symphonic composition by Yuvan. Taking a leaf out of his father’s book, the young Yuvan has come up with soft and a slow melodious composition with violins and a lone trumpet providing the listeners a different feeling. Hats off to Yuvan for his excellent stuff.

It all comes down to this: Oru Naalil  (Yuvanshankar Raja)

Yuvan leaves his magic all through the album coming up with some stunning and original orchestral magic. Adding more, he takes to crooning. Rendering this melodious number with elan, he has seemingly tried to fuse Eric Clapton kind of music with that of Ilayaraja. The soft touch of bows on the strings of the violins sure to entice the listeners.

Going thru emotions!:Prelude

It's yet again the Chapraya Music Symphony who in tandem with Yuvan provides a treat to our ears. Seemingly has music composed keeping mind the four seasons (Vivaldi?). Picks up momentum as it progresses.

Night life: Varriyaa  (Chorus)

As the title suggests, it is a song about night life in Chennai city as visualized by a local goon. Hence it is hard-hitting and has a quaint local flavor all through.  Use of percussion instruments at appropriate places co

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'Pudhupettai' Events Coverage
 Selvaragavan & Co Talks About Pudhupettai [Videos]  - [Updated on 9, June, 2006]
 Pudhupettai As First Ever D - Cinema  - [Updated on 1, June, 2006]
 Star Talk - Selvaraghavan [Videos]  - [Updated on 14, January, 2006]


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