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Two narratives - one historical, the other contemporary and two roles of Priyamani lend an edge to Kshetram. The film also has two formidable male faces - Jagapathi Babu and Shyam of Kick fame.
Having tasted his first flop in the form of Orange, Ram Charan is understandably guarded in his moves. He knew that he should not make hasty moves. That's why he ruminated for good time and promoted Sampath Nandi's Racha and relegated Dharani's Merupu.
The fact that it will be an uphill task for him to satisfy the appetite of Mahesh's fans post-Dookudu, doesn't seem to bog down Puri Jagannath a bit. In trying to make The Businessman the biggest Sankranthi flick of 2012, RR Venkat and he are pulling all stops.
There is lot of intellectual stuff in Rajanna. Vijayendra Prasad's film has that inspiring tale of the anti-Razakar struggle waged by heroic Telanganites.
Watch him wield the gun, wearing that fearsome look, you know why Pawan Kalyan will scorch the Box Office with Panjaa. You will also understand why he is called Power Star.
Grounded Siddharth is trying to limp back with the assistance of a new director. Will Venu Sriram bail him out? Well, keep guessing!
With Sneha Geetam, Madhura Sridhar proved that he had a sensibility which is not of the mediocre kind. That's what makes us expect something substantial from the director's forthcoming film, It's My Love Story.
Nara Rohit became choosy from the day he stepped into the film industry. He is said to have finalized his first film only after much deliberation. When Banam became a decent hit, it was expected that he will make unthinking selections (like others).
Our film makers have a tendency to make grandiloquent statements before a film release. However, with due respect to Shravan, we think Priyudu is not the usual one, if not a class apart film, as claimed by them.
Ever since his very first role in Happy Days positioned him as a semi-comic hero, Nikhil had been stereotyped in film after film. No director could show him in a new light. Ankith Pallavi & Friends, Kalavar King, Om Shanthi and Alasyam Amrutham failed showing a new side of the Shekhar Kammula discovery.
The much-awaited film Sri Rama Rajyam, starring Nandamuri Balakrishna in Lord Rama's role, is coming before us on November 10. The mythological film has been made in a distinct format, and Bapu, it would appear considering the audio, has given it a new-age touch.
With Bodyguard (Hindi) sizing up the script of the original (a Malayalam movie), it remains to be seen what Malineni Gopichand's version has got in store for us. Venkatesh has assured that they have made suitable changes to the original script to suit to Telugu sensitivities.
AR Murugodoss may be a Tamilian, but he has a popularity in Telugu which only a few others in the trade have got. The Ghajini maker, who made the trend-setting Hindi version of the same movie with Aamir Khan, comes with the distinction of having re-defined the tastes of Hindi audience.
Why do we say there is an order behind Ra.One's big release in Telugu and Tamil? To be sure, the Badshah wants to make his mark in the South Indian market for obvious reasons. This market is growing bigger by the day and no one can afford to ignore it.
At a time when it is commonplace to see the film makers pedalling their movies by saying that they are devoid of routineness, director Praveen Sattaru has made a daringly hatke statement by naming his film as Routine Love Story.