Bhairavam Review

Bhairavam marks the return of Bellamkonda Sai Srinivas after a two-year break and Manchu Manoj after nearly five years. A remake of the Tamil hit Garudan (2024), the Telugu version stays true to the original’s essence while adapting it to regional sensibilities. Set in the lush backdrop of East Godavari, the film blends friendship, betrayal, and a spiritual conflict over temple lands into a mass-appealing drama.

Story

Sreenu (Bellamkonda Sai Srinivas) is the loyal right-hand man of two childhood friends — Aadhi (Nara Rohith), who runs a transport business, and Gajapathi Varma (Manchu Manoj), a nobleman facing financial hardships. The trio shares a deep bond built on years of trust and loyalty.

However, their friendship is shaken when a corrupt minister (Sharath Lohitashwa) sets his eyes on the valuable lands belonging to the Varahi Amma temple in Devipatnam. Knowing the land documents are with one of the friends, he sends his aide (Ajay) to manipulate and create a rift among them.

As tensions rise and betrayal rears its head, Sreenu is forced to make a choice: remain silent or rise to protect the temple and uphold righteousness. Will Aadhi and Gajapathi stand with him — or against him?

Analysis

Bhairavam walks a fine line between commercial spectacle and emotional drama. Unlike the rooted and emotionally intense tone of the original Garudan, director Vijay Kanakamedala opts for a grander, more cinematic presentation, leaning into mass appeal with stylized sequences and heightened drama.

The first act, while establishing the characters and relationships, feels sluggish and lacks engagement. It’s only after the emotional conflict between Nara Rohith and Manchu Manoj kicks in that the film finds its rhythm. The interval block, with shades reminiscent of Kantara, is one of the standout moments.

Post-interval, the film regains strength as the core conflict unfolds, drawing power from the original screenplay. However, the attempt to commercialize the narrative sometimes waters down the emotional gravity, making certain sequences feel overstretched.

Performances are strong throughout:

Bellamkonda Sai Srinivas delivers a controlled and focused performance, staying true to his character's limitations.

Nara Rohith impresses with a restrained and nuanced act, complemented by a rugged look that fits his role.

Manchu Manoj, in his comeback, is impactful but occasionally goes overboard with old-school expressions.

Aditi Shankar, making her Telugu debut, performs well in a limited role.

On the technical front, cinematography and production design enhance the film’s grandeur. However, music remains a weak link — aside from the soulful "O Vennela," the songs fail to make a mark. Even the background score doesn’t elevate the drama as expected.

Verdict

Bhairavam is a tale of loyalty, betrayal, and righteousness, backed by a strong original storyline. While the emotional core is somewhat diluted in an attempt to give it a commercial sheen, the film still manages to engage, especially in its latter half.

Watch it for the performances, the friendship drama, and a few powerful sequences — but temper expectations if you’re seeking emotional depth.