Hit 3 Review

Nani is now out with his new film HIT 3. As he is also the producer of the film, Nani has massively promoted HIT 3. Directed by Sailesh Kolanu, the film has hit the screens today. Read our review to find out if the film is worth the hype.

Story:

Arjun Sarkar (Nani) is an ACP in the 'HIT' team. While on duty in Jammu and Kashmir, a murder occurs. The killer is caught, but soon, similar murders begin happening across different regions following the same pattern. Arjun suspects a deeper connection and eventually uncovers links to the Dark Web. A large criminal racket is exposed through the investigation. Arjun travels to Arunachal Pradesh, where he encounters a mysterious gang. Who are they? What is Arjun’s love story with Mridula (Srinidhi Shetty)? Why is she in Arunachal Pradesh too? What roles do Varsha (Komalee Prasad) and Arjun’s father (Samuthirakani) play? All these questions are answered in the film.

Analysis:

Hit 3 fits that mold, much like the Malayalam film Marco, which is filled with gore and bloodshed. From the teaser and trailer, audiences had a fair idea of what to expect. The film delivers on that expectation. The highlights? Nani’s powerful performance and Real Satish’s action choreography. Director Sailesh Kolanu relies heavily on the hero’s characterization.

That said, there's little distinction between the violence committed by the cult gang and the violence from the man in khaki (Arjun). Why does he behave that way? Why does he react like that? The director fails to offer clarity. This makes it hard for viewers to emotionally connect with the protagonist. This is one of the biggest drawbacks of the film.

The director’s apparent obsession with the lead character Nani results in underdeveloped supporting roles. Mridula (Srinidhi Shetty) is introduced as a lover, but after her identity is revealed, she is given generic commercial-heroine scenes rather than role-driven material. Her potential as a character remains untapped. The villain gang’s true purpose remains unclear—why are they killing people? What’s their goal? These questions are never fully addressed, making the story feel incomplete.

For Nani, Hit 3 is his way of stepping into the mass zone. Nani breaks out of his comfort zone for this role. In Dasara, he appeared in a lungi, a physical transformation. But here, despite wearing stylish clothes, he uses curse words and showcases an intense, gritty character. While the performance is impressive, the use of explicit language feels unnecessary.

Srinidhi Shetty does a commendable job as Mridula, contributing not just to romantic scenes but also to action sequences. Komalee Prasad is given good screen space and performs well. Samuthirakani, Rao Ramesh, and others offer solid support. The two guest appearances toward the end of the film also stand out.

Mickey J. Meyer surprises with his background score, it’s fresh and highly effective. Sanu John Varghese’s cinematography and Sri Nagendra Tangala’s production design enhance the film’s gritty aesthetic. Both departments have worked hard to give the film a unique color palette and Hollywood-style appeal. Producer Prashanthi Tipirneni deserves credit for not compromising on production quality.

Also, given the graphic nature of the murders, the film is not suited for family audiences or those with sensitive minds. The violence is extremely intense—avoid this film if you can’t stomach it. This kind of story demands suspension of disbelief. Logical loopholes exist in Hit 3, and they’re hard to ignore while watching the film.

Verdict:

Hit 3, like Mad Max or Marco, gives that adrenaline rush to fans of the genre. Everyone else, especially families and sensitive viewers, should stay away, as Nani himself advised. For them, the graphic content may feel like torture, not entertainment. But those who like such stuff, HIT 3 ends as a decent watch.