Sabdham: A Theatrical Experience with Sound!
Directed by Arivazhagan and produced by 7G Films and Alpha Frames, Sabdham stars Aadhi, Lakshmi Menon, Simran, Laila, Redin Kingsley, Rajiv Menon, M.S. Bhaskar, and others.
Set in Munnar, the film revolves around a prestigious medical college where a series of mysterious student suicides and deaths occur. While the police conduct their investigation, paranormal investigator Ruben (Aadhi) is brought in to uncover the truth. Meanwhile, Avantika (Lakshmi Menon), a neurologist and professor at the same college, discovers that the deceased students were her own pupils. As the investigation unfolds, eerie sounds, unexplained attacks on students, and strange occurrences intensify, leading to the ultimate revelation of what haunts the college.
Aadhi seamlessly fits into the role of a paranormal investigator, with his physique and deep voice adding weight to his character. Lakshmi Menon, in a refreshingly unique professor role, delivers a compelling performance. Her expressions, particularly her intense gaze, elevate the mystery. Simran and Laila reunite on screen after Parthen Rasithen, and just as that film remains unforgettable, Sabdham too leaves a lasting impression. Both actresses have well-defined, distinct character arcs.
Despite brief screen time, M.S. Bhaskar and Rajiv Menon make an impact. Redin Kingsley balances the horror with comedic relief in certain scenes.
The biggest strength of the film is its sound design, justifying the title Sabdham. Uday Kumar and Sync Cinema use sound to create an immersive horror experience. Arivazhagan, known for his meticulous storytelling, follows suit in this film as well. While there are a few narrative inconsistencies, the team has put in their best effort to deliver a gripping theatrical experience. Editor Sabu Joseph, a National Award winner, ensures sharp cuts that enhance the tension. Arun Padmanabhan’s visuals, neon-lit frames, and the eerie grey-shaded college interiors contribute to the haunting atmosphere.
While the film could have opted for a simpler horror-thriller narrative, it attempts to convey a larger concept. This results in a few prolonged sequences and flashbacks that slightly slow the pace. Trimming them would have made the film more engaging. Thaman’s music, particularly the Maya Maya song and the haunting piano notes, transport the audience into an enigmatic realm.
Overall, while Sabdham may not entirely meet the expectations of Arivazhagan’s dedicated fan base, it delivers a solid horror experience. For those seeking spine-chilling thrills in a theatrical setting, this film won't disappoint!
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