Uuf Kya Jadoo Mohabbat Hai Music Review

Anu Malik gave a peppy and young score for the Rajshri's last film "Main Prem Ki Diwani Hoon". And now, the upcoming Sandesh Shandilya has done a mildly engaging young score that doesn't really cross the line between serviceable and stunning.

Murder Music Review

All of Anu Malik's soundtracks may not be classics. But if you've heard what he composed for the mighty J.P. Dutta in "LOC", and more recently for Pooja Bhatt in "Paap" then you know what he is capable of.

Hum Tum Music Review

The melodious numbers in "Hum Tum" set off the film's romantic-comedy mood as the bantering songs on gender equations bring a certain freshness to the entire album.

Yuva Music Review

It is difficult being A R Rahman these days. For, the music whiz has created such a huge reputation for himself that it is almost impossible for even him to live up to it. Every time he comes with a film, you expect it to be another Roja or Bombay.

Nenunnanu Music Review

Keeravani is a highly under-rated but highly skilfull music composer. He has uncanny ability to rise to the occasion. And when it concerns Nagarjuna film, he is unfailingly good

Deewaar Music Review

Though this album takes time to grow on you, it's ultimately a very satisfying experience, far more so than the 1970s' "Deewaar", which also starred Bachchan. It contained one of R.D. Burman's weakest scores ever.

Naani Music Review

The songs of the film, primarily falling under the category of rhythm-infested techno raps, are good. But fall short of his own exalted levels.This is said to be Rahman's original score for a Telugu movie (the film is also being made in Tamil as (New)

Ayutha Ezhuthu Music Review

With music composer A R Rahman and lyricist Vairamuthu joining hands yet again with Manirathinam, expectations are great among music lovers.

Venkee Music Review

It is not always that all songs in a film's audio album sound good. Telugu film 'Venkee' starring Ravi Teja and noted actress Sneha fits that bill.

Lakshya Music Review

Not everything that the triumphant trio of Shankar, Ehsan and Loy did in 2003 was successful. But everything from the flop "Armaan" to the hit "Kal Ho Na Ho" was worthy of a second and third hearing