Kaala Review Live Updates
Thursday, June 7, 2018 Telugu Comments
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Check out our full review of Kaala
8:50 am :
The film just started. Run time is 166 minutes. Watch this space for LIVE updates
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8:55 am :
Marxist view of land ownership dynamics is narrated during the titles. Sampath Raj enters the screen as a landed interest
9:01 am :
Rajinikanth's intro happens after a protest gone wrong. Kaala is seen playing cricket with children
9:03 am :
Rajinikanth delivers his first punch dialogue about what the oppressed can do if law is used against them. This is when the Censor Board gives a mute. Setting ah, CBFC?
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9:11 am :
'Naa maava nalla sirutha puli, raa,' Eeswari Rao says about Rajinikanth. Anjali Patil seen as a gutsy girl. Samuthirakani set to have repartees with everyone around.
9:22 am :
Huma Qureshi is Zareena, an Indian expatriate who comes to Dharavi to better their lives. The proceedings are leisurely. Rajinikanth is not the film's only focus till now
9:32 am :
It's time for nostalgia. Clearly, the director has to convince the audience that the Rajini-Huma love story is not forced. Otherwise, it will be a major complaint.
9:48 am :
Revolt is not about reading revolutionary literature. It's about understanding the roots. Kaala strikes back in a part-comic, part-emotional scene
10:09 am :
Kaala just outdid the goons with an umbrella, predominantly. Nana Patekar's character to gain prominence from now.
10:14 am :
The interval ends on a mass note. 'Nikal', Kaala says and his supporters break into a rap
10:35 am :
The second half starts off on an underwhelming note. Family conversations are always almost loud. Familiar tropes like children growing up to have values different to that of parents abound.
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10:48 am :
Will Kaala Seth survive the onslaught of the villain? The film now badly needs to perk up its style quotient
11:01 am :
The film is laced with agenda-driven symbolism. Some shots could lead to opinion pieces written in Editorial pages for and against the innate meanings conveyed.
11:12 am :
Rajinikanth submits to director Ranjith's vision, saying even dialogues that go against the grain. The second half is largely bland thus far with rare moments of heroism.
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11:24 am :
Police atrocities, engineered communal riots, protests - these are narrated as an old-style story
11:38 am :
Ravana has won. PS.Ranjith makes the climax intriguing, not forgetting to lace it with convenient symbolism. The end
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