MAD Review

MAD is one comedy caper that has been promoted a lot in the last few days. The film has been released today among many other small films, and let's see how it is.

Story:

MAD orbits around the lives of three inseparable comrades: Manoj, Ashok, and Damodar. The narrative unfolds within the hallowed halls of an esteemed Engineering college, where their paths serendipitously converge. Amidst their academic odyssey, the film regales us with their educational escapades, love stories, and sporadic clashes, skillfully weaving together the fabric of this captivating tale.

Analysis:

The director Kalyan Shankar's adeptness in setting the film's tone within the initial ten minutes provides viewers with a clear sense of the narrative's trajectory in MAD. In a realm saturated with college-centric films, exploring the camaraderie, challenges, and academic journey of students, MAD stands out as a unique and quirky addition. Rather than relying on conventional storytelling conventions, it revels in its wackiness, proving that original comedic genres can thrive even without strict adherence to traditional logic.

Coming to performances, Narne Nithin, embodying the role of an intense and often leading figure in the group, demonstrates his knack for heroism during critical moments. His admirable willingness to share the limelight allows other talents to shine. Sangeeth Shobhan, on the other hand, shines brilliantly as he breathes life into an introverted character from a small town, endowing the narrative with depth. His impeccable comedic timing lends charm even to the most ludicrous jokes. Ram Nithin, portraying the group's charismatic ladies' man is neat.

The three leading ladies, Sri Gouri Priya Reddy, Anathika Sanilkumar, and Gopika Udyan, are provided with romantic storylines; however, their roles as actors do not significantly impact the overall narrative. While Bheema Ciciroleo's musical contributions may not linger in memory, the background score harmoniously complements the film's uproarious humor. Cinematography, jointly orchestrated by Shamdat and Dinesh Krishnan B, exhibits potential for further refinement. Naveen Nooli's astute editing contributes to a brisk and captivating storytelling pace.

However, the film's love story arcs, introduced at the interval point, lack significant dramatic progression. Instead, they tread familiar clichés, ultimately finding resolution through comedic twists. The screenplay skillfully resonates with the sensibilities of a younger audience, although not all of its content strikes the mark. A minor character-related twist emerges as a crucial catalyst during the pre-climax, culminating in a satisfying denouement.

Verdict:

On the whole, MAD is a campus comedy where the comedy is done right. But one gets the feeling that the drama and emotions should have got it right. But still, the film has enough moments to make the youth enjoy the film happily.