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Gabbar Singh - Unleashing a powerhouse performer |
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Premalo Padithe - Juxtaposing purity with depravity |
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Dammu - Heroism at a higher level, indeed! |
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Neeku Naaku Dash Dash - A dash of same old blah blah |
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Racha - Racha means pomp and show |
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3 - Tamil-style tragedy meets Holly-style story-tellin |
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Lovely - Interspersing musical romance and neat comedy |
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Eerojullo - Realism that strikes the right chord |
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Naa Istam - Mediocre in Malaysia |
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Nuvvaa Nena - Beyond bad. It is unnatural |
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Mr Nookayya - No sense, only nonsense |
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When Gabbar Singh enters the lawless village of Kondaveedu, the villain stops his criminal activities and instead starts living in perpetual terror. It is because our hero turns a self-styled law-breaker himself, hating to be called a hero and loving to describe himself a villain, ever so trigger-happy from the word go, living up to the image of 'All-India Hyper Singh' every bit.
The strength of Premalo Padithe lies in the climax: Here suspense is neatly unravelled and a love story develops into an immortal affair. This is a film where two underdogs are at the receiving end of circumstances. The villains of the piece comprise of an alliance of police-politician-capitalist troika, at the other end of the spectrum are Venu (Sri) and Jyothi (Urmila Mahantha), two poverty-st
If you are a die-hard fan of NTR, Dammu is the film you should watch at least twice. It is because NTR's intense performance in the second half raises the roof, he wins the war with his frown look intact, delivering a dekko acting output throughout. It is sumptuous meals for Nandamuri fans out there!
There was a defining moment in Nuvvu-Nenu when Uday Kiran detested the tyranny of elders like a puerile, saying "Chi chi mee peddolu unnare.." Watching Neeka Naku Dash Dash one feels that Teja has not been able to come out of that hangover. In NNDD, the girl, now a tired heroine after hours and hours of running from chasing goondas, says to a violent cop, "Neeku moodindira", referring obviously
Racha is a film where the heroine's Mission Dammu culminates in finding a hero with the strength of one thousand men and intelligence of one lakh people (!), and the hero comes to know who is the villain of the flashback, and the identity of his childhood sweetheart, to quote two of the benefits he gets out of an unexpected turn of events.
3 is two films rolled into one. The first half packs a realistic love track, full of the elements like love at first sight, slapping by parents, the girl showing more guts than her boy, et al, all dealt in a typical Tamil filmi style. The second half is another film, a psychological thriller which scares us whenever it journeys into the dark chambers of Dhanush's dangerously unhealthy mind.
Lovely is a film where the hero has to deal with a difficult father before he could marry his girl and the father happens to love his daughter so much so that he cannot think of letting his daughter go with someone he thinks is not right for her. For all the sense of deja vu that a mere mention of these elements may give you, Lovely makes a good watch because of the way the story has been execute
Eerojullo is sensitivity-meets-realism. Like a Ravi Babu film it packs the elements of quirkiness, innocence and depth at once. For a film made on a shoestring budget (just a crore, even if you add up the money earmarked for publicity), this honest yet irreverent film is a clap-worthy endeavour.
Naa Istam is a film that gets curioser and curioser in the first half, more and more predictable in the second half and hackneyed in the climax. Rana plays Ganesh, a self-centered guy who cannot think of anything but himself. He is obsessed about money and love for him, is an emotion of the aliens. Krishnaveni (Genelia D'Souza) is in Malaysia to marry Kishore (Harshavardhan Rane of Thakita Thak
Nuvva Nena is an apt title. It is because the director and the actors (almost all the characters in the movie) are competitively brainless here! While Allari Naresh and Sharwanand act without forethought, only to fall into each other's trap like idiots, Narayana directs as if he was making the film for children. Shreya, who, we are told, is a brilliant psychiatrist, cannot see through the disho
Mr. Nookayya begins with the entire story, except the climax, shown in slow motion in a span of less than a minute. The hero is being tortured, you see a woman falling off from a height into the river, and a blood-curdling Murali Sharma tormenting Manoj, angrily asking him "Where is the mobile?" at point blank range.